The Roslindale Public Library invited me to help them observe National Poetry Month. I’m collaborating with them on window displays, and on Saturday, April 23 I’ll be conducting a poetry workshop on premises. I’d love to see you there. Here’s a link to the event listing on the Rozzie Public Library website, which includes a map and other venue information. The library is right in the middle of Roslindale Square, an easy bus ride from the Forest Hills T stop. There is plenty of on-street parking in the neighborhood. Details follow:
|Poetry Workshop with Frances Donovan
||Saturday, April 23, 2016
||12:00 pm – 1:45 pm EDT
||Roslindale Branch of the Boston Public Library
4246 Washington Street
Roslindale, MA 02131
|TYPE OF EVENT
||Workshops & Classes
||Join local poet Frances Donovan to explore one of the oldest art forms. We’ll read work by well-known poets and explore the meaning of their words and the feelings they evoke in us. Then we’ll use prompts to create our own poems, focusing on positive feedback to nurture these new seedlings. Experienced poets and raw beginners — or the merely curious — are welcome. Frances will also have a poetry display in the library during the month of April.
More about the facilitator:
Frances Donovan’s work has appeared in many places, including Borderlands, Snapdragon, Marathon Literary Review, Ishka Bibble, and Gender Focus. She holds a degree in English from Vassar College and has studied with Barbara Helfgott Hyett and Toni Amato. She curated the Poetry@Prose reading series and has appeared as a featured reader at numerous venues in the Northeast, including the Newton Public Library and the PoemWorks Reading Series. Frances aims to create a comfortable, intimate environment where writers of all kinds can become open to new possibilities and new ways of looking at their own work.
This Thursday is the penultimate workshop of the fall term. I’m really pleased with how the group has come together. I have a nice core of participants who have been there since the summer but also have room for new people. I’m also getting more confident in developing a model that differs from other workshops I’ve attended.
The metaphor of a garden of words really applies here. With its focus on positive feedback to new drafts, Toni Amato’s workshop is a wonderful place to nurture seedlings. With its focus on poetic technique and ruthless revision, Barbara Helfgott Hyett’s workshop is excellent place to thin and harden those seedlings. My vision is to create a hybrid of those two models: to develop both fluency and objectivity when looking at our work.
In earlier sessions we focused primarily on sprouting new seedlings. Germination happens through free-writes, the use of different writing prompts, and a close reading of a “host poem” — one which I feel has something to teach us about technique or language. We give first drafts written in workshop nothing but positive feedback Now that we all seem to have developed a greater level of confidence — both in ourselves and in each other — I’ve asked people to start bringing printouts of more finished drafts. Something happens when you transfer a poem from longhand to type. I almost always end up revising as I go. Seeing it in print also gives me emotional distance. We’ve begun critiquing one another’s drafts, but in a manner that I hope is gentle and supportive. Other members of the workshop seem to appreciate this second phase of the poem-growing process.
If first and second (and third, and fourth, and fifth, and more) drafts grow a poem from scratch, the poem finally bears fruit with publication. It can be hard to keep all three balls in the air at the same time. I find that I usually fluctuate between creating and revising my work and sending it out for publication. Starting in January I made a concerted, consistent effort to send out my work and got much better results than I expected. I’ve given my students a few pointers on where they can find open calls, but the focus of workshop right now is still on creation and revision. I’m curious to see how that might grow and change in future sessions. In the meantime, I continue to be humbled by how much I learn myself while facilitating workshop. Artists really do develop in tribes, just like Julia Cameron says. I’m happy to be following in the footsteps of my teachers by creating one of my own.
Our small tribe will be taking a field trip to the Chapter and Verse Reading Series this Friday, October 9 at 7:30. The Jamaica Pond Poets are talented and welcoming bunch. I look forward to both the featured readers and the open mic that follows.
After a year-plus hiatus, I’m forming a new poetry workshop. The focus of the workshop is on generating new work and nurturing each other’s individual voice. New, questioning, and experienced poets are welcome. The workshop is GLBT friendly. I invite members of all races, classes, nations, and ages to attend.
Here’s what a previous workshop participant had to say about his experience:
As someone who is new to writing workshops and writing for an audience, it was quite helpful to get your input. It’s given me a fresh way to look at my own work.
The workshop space is within walking distance of Roslindale Square in Boston, Massachusetts. Get more details and contact me here.