Alexandra Delancey’s novellas Always Her and Me and Her chronicle the love story between newly-out Elise and ultra-cool tomboy Jack. I caught up with Alexandra recently to talk with her about her characters, her craft, and the business of publishing in the age of e-books.
Your characters are well-drawn and idiosyncratic, especially some of the more minor ones like Tatiana, Christie, and Alyssa. How did your own experience of the lesbian scene inform these characters?
That’s really nice to hear. I didn’t base any of them on individual people that I know, but I wanted to reflect the experience of being in your early twenties and being gay, or thinking that you might be gay, and the insecurities and preconceptions that sometimes accompany it. I spent my twenties discovering the lesbian scenes of several countries, and they all have their own norms and cliques. They can be frustrating at times, but they’re a lot of fun too. What I’ve always loved about the scene is that it gives you an opportunity to meet a much broader cross section of people than you otherwise might, so I tried to make my characters diverse in order to reflect that.
In the new romance Always Her, Alexandra Delancey does an excellent job of evoking the angst and drama of the college lesbian scene. While I don’t necessarily agree with the identity politics of the characters, they do ring true for their milieu. Jack is that elusive object of lesbian desire: the cool butch who tends bar and had led a charmed life free of homophobia. Elise is the perfect wish fulfillment for every dyke who’s ever loved a straight girl: blonde-haired, shy, sweet, and only newly come to terms with her sexuality. The novella does a great job of building tension between the two to the final sex scene, which is most definitely a one-handed read.
Victoria Griffith’s debut novel Amazon Burning follows the exploits of Emma Cohen, a journalism student who leaves New York under a cloud of suspicion. She arrives in Brazil to shadow her father, bureau chief for the Guardian newspaper. Ill at ease with upper-class Rio society, she jumps at the chance to accompany her father while he reports on the murder of an environmental activist in the Amazon rainforest.
On the way they meet up with the impossibly handsome and charming photographer Jimmy Feldman — a Brazilian-born son of expat parents. While Emma’s father is off reporting, Emma and Jimmy embark on their own investigation, attempting to navigate a web of corruption involving local officials, miners, rancher, smugglers, and other parties who stand to profit from the destruction of the rain forest.
One part eco-thriller, one part “new adult” romance, Griffith’s novel offers readers a close-up view of modern life in Brazil. Her vivid descriptions of the Amazon and the Yanomami who live in it are far more compelling than the love story between Emma and her hunky photographer. And the account of Emma’s troubles in New York seemed rather overwrought and improbable. Aside from these few false notes though, the book is well worth a read.