Diane Seuss was kind enough to speak with me about keeping poetry wild, freaking form, and her latest book, Still Life with Two Dead Peacocks and a Girl. It went up at The Rumpus today.
“I think of my work as punk-rural,” she says, “in that it emerges from rural spaces, but looks for the toughness, the strangeness, the absurdity, the taut stringiness, the rage and pain of it all as opposed to the homespun. The rural is no less punk than the urban. Roadkill. That’s my aesthetic. Naked dancing on the water tower. Cheez Doodles and a Coke. Cigar-smoking ghosts on the riverbank.”
Read the entire interview here.
Read some of Diane Seuss’s poetry online here:
Photo of Diane Seuss by Gabe Montesanti.
The only thing you need to do to be a poet is to write poetry. But occasionally, if you do the footwork and let go of the results, you get rewarded with some accolades. I’ve had a string of successes recently and wanted to share:
- In March, the Lambda Literary Awards selected my chapbook Mad Quick Hand of the Seashore as a finalist in the bisexual poetry category.
- On April 24, Athena Dixon interviewed me for the New Books in Poetry podcast. We had a great conversation about the writer’s journey, how things have improved (or not) for marginalized voices, and how writing practice can change over time.
- On April 29, new Boston Poet Laureate Porsha Olayiwola selected my work, along with that of 17 other poets, to be displayed at Boston City Hall as part of the Mayor’s Poetry Program.
- On April 27, I performed alongside a slew of talented poets, musicians, and actors in the Solidarity Salon, an event started and organized by fellow Lesley poet Lisa DeSiro. The crowd that showed up to Third Life Studios in Union Square, Somerville was wonderfully warm and appreciative, and True Story Theater brought three poems to life–including one of mine!
- On May 10, three of my poems appeared in the Heavy Feather Review #NoMorePresidents online feature.
- On May 13, The Rumpus published my interview with Kwoya Fagin Maples about her moving book of historical persona poetry Mend (University Press of Kentucky, 2018).
- On May 15, the Harriet blog on the Poetry Foundation website picked up the article, thus causing something rather unlikely: my name on the Poetry Foundation website. It’s a far cry from having my poems up there, but it’s still pretty cool.
- On May 18, I walked in the Lesley University commencement ceremony with a brown hood to signify Master of Fine Arts. Lesley won’t award me the degree itself until I complete my graduating seminar at the June residency, but taking part in the ceremony was quite moving. My mother, brother, and sort-of-mother-in-law all traveled from out of town to celebrate with me and Mark, my partner and biggest fan.
Yes, Dispatches from an MFA are not up-to-the-minute coverage. More to come.
The interesting thing about po-biz success is how short-lived the good feelings can be. Lesley faculty member Tracey Baptiste has talked about the moving goalposts, and others seem to agree with her. I’m sure I’ll be eyeballs deep in existential angst soon, but for the moment, anyway, I feel like the Poetry Gods are smiling upon me.
Thanks to you, dear reader, for supporting me in these endeavors.