Sarah Dickenson Snyder has written poetry since she knew there was a form with conscious line breaks. She has three poetry collections: The Human Contract, Notes from a Nomad (nominated for the Massachusetts Book Awards 2018), and With a Polaroid Camera (2019). Recently, poems have appeared in Artemis, The Sewanee Review, and RHINO. She has been a 30/30 Poet for Tupelo Press and was accepted both times she applied to the Bread Loaf Writers’ Conference. One poem was selected by Mass Poetry Festival Migration Contest to be stenciled on the sidewalk in Salem, MA. Another was nominated for Best of Net 2017.
Sarah took some time to speak with me via email.
Frances Donovan: What first brought you to poetry?
Sarah Dickenson Snyder: The first time I saw a poem in a book and its intentional line breaks, I was hooked—I just loved how it looked. I was probably in 1st grade. I wrote and wrote even more when I realized that poems didn’t have to rhyme and that I could pour out a seemingly endless fountain of thoughts and memories. I ended up sending a stack of twenty poems to Bowdoin College as my college essay.
Donovan: Did you study poetry at Bowdoin?
Dickenson Snyder: I took a few classes—there were only just a few in the English Department, certainly no writing classes at that time; I was a Religion major.
Donovan: Was there a particular poet whose work was really meaningful to you in those early years?
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