I met Robert Carr at the Solidarity Salon, a performance series offering music, poetry, and theater where we were both featuring. A tall man with an arresting presence, Bob read a number of poems about Robert Mapplethorpe, a photographer whose work capturing gay male desire and the BDSM subculture has become an important part of gay history. Bob is the author of Amaranth (Indolent Books), and The Unbuttoned Eye, (3: A Taos Press). His poetry appears in the American Journal of Poetry, Massachusetts Review, Rattle, Shenandoah, Tar River Poetry, and elsewhere. Robert is a poetry editor with Indolent Books and recently retired from a career as Deputy Director for the Bureau of Infectious Disease and Laboratory Sciences at the Massachusetts Department of Public Health.
Frances Donovan: Tell me about your book, The Unbuttoned Eye.
Robert Carr: I wrote the book following a 34-year career in infectious disease response. These poems became my way, in hindsight, of grappling with issues of identity and sexuality through the AIDS pandemic. The editor at 3: A Taos Press, Andrea Watson, was instrumental in pushing me with these poems. Since the release of the book, in 2019, COVID19 has changed the collection for me. Today, I experience these poems as reminders for how to survive the realities of global pandemic. I’m not saying the issues across HIV and COVID19 are the same. But I do find the dynamics, the human response to health crisis, sometimes mirror each other.
Donovan: You have a whole cycle of poems in The Unbuttoned Eye about the photographer Robert Mapplethorpe. For readers who may not be familiar with his work, he was a groundbreaking photographer whose images of gay male desire during the AIDS epidemic form an important part of queer history. Some of his work was also deeply controversial. Can you explain your own relationship with Mapplethorpe and the impetus for these poems?
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