Carla Drysdale’s work explores difficult subjects such as childhood abuse and sexual exploitation with tight, lyrical nuance. Little Venus, Drysdale’s first book of poetry, came out in 2009 from Canadian publisher Tightrope Books. As often happens when poets create a persona, Drysdale’s Little Venus tells truths and makes assertions far bolder than another speaker might be able to.
Her work has appeared in numerous publications, including Paris Press, Cleaver Magazine, and PRISM. Her poem, “New Year’s Eve” was set to music by American Pulitzer-prize winning composer David Del Tredici. Her many accolades include writing residencies at the Virginia Center for the Creative Arts and La Porte Peinte in Noyers-Sur-Serein, France, as well as PRISM International’s Earle Birney poetry prize for her poem “Inheritance.” Finishing Line Press released her chapbook of the same name in early 2016.
A statuesque woman with a mass of curly auburn hair, she took some time out from her busy schedule as a communications consultant and mother of two to speak with me about her poetry.
What first brought you to poetry?
Poetry first came to me, I suspect, in my pre-verbal state, in lullabies sung by my mother, grandmother, and babysitters, as well as radio jingles and birdsong. My maternal grandmother was fond of reciting everything from Shakespeare to her own variation on Fuzzy-Wuzzy –- I learned from her how to play with language as a toddler. The King James version of the Holy Bible was tremendously important to me as a pre-teen and younger teen. The first time poetry actually stabbed me Continue reading “Interview with Poet Carla Drysdale, Author of Little Venus and Inheritance”