Friday Five Plus Three (Gratitude Edition)

Gratitude doesn’t always come easy. Sometimes it’s a discipline, a practice. Sometimes I go through the motions without feeling inspired about it. But I do the motions anyway. Today’s gratitude list:

  1. daily reprieve from a chronic and deadly disease
  2. access to health care providers who assist when the other chronic and deadly disease rears its ugly head –I mean symptoms
  3. sunshine — albeit October sunshine, harsh and in short supply, still sunshine
  4. more clothes than I know what to do with
  5. fuzzy kitties who love me whether I go out or stay in
  6. a job that trusts me to do the right thing without breathing over my shoulder
  7. friends and family who call, text, and email
  8. a man who puts the kettle on for me every morning

Toni Amato is Right, As Usual

The new writing group met last night for the first time. I’ve done my best to appear confident about this new venture, but anyone who knows me well knows the turmoil of the waters beneath the placid surface. Facilitating workshops is not new to me — I’ve done it in various venues and for various years for more than 20 years — but this particular project lies quite close to my heart. Fear of failure and fear of success dogged my steps in the months leading up to its opening.

I feel particularly grateful for the love and support of my two teachers: Toni, who first challenged me to consider the possibility of starting a workshop similar to his, but on the opposite side of the Boston hub. He’s provided support both practical and spiritual — and will no doubt continue to as my own confidence waxes and wanes. And Barbara, whose workshop sparked the necessity of finding a place to generate new stones to polish and polish under her guidance. She said to me, “My first workshop was two friends who were there for free, and one person who paid $40.” That was 30 years ago, and 125 books and countless journal publications have emerged from her workshop since.

This time last week, I was reciting a litany of fears to Toni, and he responded — as he often does — that the universe would give me just what I needed, moment by moment. Last night, that was a small group which merged effortlessly. And a group decision to focus on generating works of poetry, the form I am concentrating on myself.  In three hours we worked four different prompts, and by the end of the evening we felt expansive and full of possibilities.

We meet again in two weeks, when two more new members will join us. We have space for a few more, but whether the group stays small or expands to capacity, I’m sure the universe will provide just what is needed.

The Burden of Bearing Fruit

Two years ago I read a piece in the Sun Magazine by a woman named Brenda Miller called The Burden of Bearing Fruit. It was the sort of article one finds there a great deal: a personal essay, contemplative, sometimes rambling, with a flash of beauty  — a surprise tie-up, an effortless making-sense of daily objects and events. The making-sense of art, which tells the true but tells it slant.

These essays often shame me in their seeming effortlessness in the same way that Martha Stewart shames wives and mothers all across America, or the way Oksana Baiul shames 12-year-old figure skaters. In my saner moments I remember that the authors of these essays (often English professors or professional writers) probably went through multiple drafts, worked and worked on each word and sentence, considered the form and flow of the piece, perhaps the thesis and the theme. In my less sane moments I wonder why my own work doesn’t appear in The Sun’s pages. Never mind that I’m focusing on honing my craft in poetry right now, not personal essays. Or that I have a full-time job writing meeting minutes and functional specifications. Why am I not better at it by now? Where is my Harvest-themed centerpiece? Where is my triple lutz?

But let me, for the sake of this moment, put aside those inner critics. Let me even put aside the notion that I might beat that little hater. And let me return to that phrase which has stayed with me for two years and more: the burden of bearing fruit. Miller describes her own complicated relationship to the cherry tree that graces her property. You’ll have to read the essay to catalog its full meaning, but what stays with me is the notion that as the tree ages it is released from the burden of bearing fruit. Approaching 40, years into an artistic recovery I can barely discuss without weeping, I’m well aware of this burden. The terrible secret of farming and gardening is that bringing in the harvest is just as difficult as the plowing, the sowing, the planting, and the tending. Once the fruit arrives it must be picked, it must be eaten, it must be shared, it must be preserved and set away for the winter.  Some of it always rots.

My tree has blossomed and begun to bear fruit. This evening I read at the Newton Free Library and the day after a brand new workshop begins meeting in my home.  It’s not the first time I’ve read to an audience, not the first time I’ve led a workshop, but the burden of bearing fruit remains. Perhaps this time the harvest will be more sustainable.

I’m Reading at the Newton Free Library Next Tuesday, October 8

I just discovered that I am scheduled to read at the Newton Free Library on Tuesday, October 8 at 7pm. I’m so glad that Barbara at PoemWorks reminded me that Doug Holder had asked me to read for the series way back at the end of last December.

My reading is the day after the monthly PoemWorks reading at Newtonville Books. The following evening (Wednesday, October 9) I begin facilitating a writing group that will meet every other Wednesday through the beginning of December. So it’s going to be an all-writing kind of week for me.

Next month (Tuesday, November 12), two poets I know personally and greatly admire — Alexis Ivy and Charles Coe — will also be reading at the Newton Free Library. From the descriptions of the two folks scheduled to read with me on Tuesday — Wendy Ranan and Lawrence Kessenich — I will be in quite illustrious company myself. An open mic follows the reading.

If you are in town I would love to see you there. I know some of the Dverse Poets are Bostonians and would love to meet you in person. Directions by car and public transit are on the Newton Library website. Either way, wish me luck. It’s been some months since I’ve read in front of an audience.

New Writing Group Forming in Boston

  • Image of a hand holding a pen to paperAll forms welcome: poetry, prose, fiction, non-fiction, memoir, truth, and beauty.
  • All people welcome: any age, race, class, sexuality, gender, nationality, or not.
  • All writers welcome: new writers, old writers, closet writers, porch writers.

We will focus on creating a supportive environment for generating new work until the group has established enough rapport for meaningful critique and revision.

We will also share experience and strategies for sending out work for publication.

First term meets 6:30-9:30 pm, every other Wednesday, Oct 9-Dec 4.

Fee is $150 for the entire term, payable in advance. You are welcome to attend one session as a guest to see if it is the place for you.

The workshop will be held in a private home on the 51 bus line between Forest Hills and Cleveland Circle. Parking is also available.

Space is limited so sign up soon.

Frances Donovan’s work has appeared in Lyrical Somerville, PIF Magazine, The Writer, Perimeter, and The dVerse Anthology: Voice of Contemporary World Poetry. She curated the Poetry@Prose reading series in Arlington, MA and is a member of PoemWorks: the Workshop for Publishing Poets. She also affiliated with Toni Amato’s Write Here Write Now workshop in Somerville, MA. You can find her online at www.gardenofwords.com

For more information or to sign up, use this contact form.

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Old Clients Are Like Gold

I’ve got only one or two clients left from my bad old days of self employment. It’s such a joy to work with people I’ve chosen. I’m helping Liz Anker put up her new WordPress site. It’s still in progress, but I think it’s pretty cool. Today we worked on this page.

I’ve Been Published in The dVerse Anthology: Voices of Contemporary World Poetry

My longest poem, “Letters from Provincetown,” has gone through a number of iterations since I first penned it in 1998. And now it’s been included in the newly released dVerse Anthology: Voices of Contemporary World Poetry.

Edited by Frank Watson (aka Follow the Blue Flute), the volume contains work from poets who frequent the dVerse Poets Pub, an online community that I find has a nice balance between friendly members and quality work. I’ve made a number of helpful connections at their weekly Open Link Night and also enjoy their other regular series, including Form for All and Pretzels and Bullfights.

A friend recently chastised me for downplaying my accomplishments. So if you’d like to support my work and also read an interesting variety of voices from around the world, I suggest giving it a look. The book is available in print and ebook at Amazon and debuted in the top 20 poetry anthologies on the site.

Buy the book here: http://www.amazon.com/The-dVerse-Anthology-Voices-Contemporary/dp/1939832012