Review of Leviathan Wakes and Caliban’s War, Books One and Two of The Expanse

Cover image of Leviathan Wakes, by James S. A. Corey
Leviathan Wakes, by James S. A. Corey*

These books are the inspiration for the new SyFy series The ExpanseA few hundred years in the future, humanity has colonized Mars, the asteroid belt, and the moons of Jupiter. Tension among Earthers, Martians, and Belters erupts into all-out war with devastating consequences after unknown forces nuke the ice hauler Canterbury. The five remaining crew members  find themselves at the center of the conflict, driven from one disaster to another on the salvaged Martian warship the Rocinante as they attempt to determine the origins of the attack that killed their crewmates. Meanwhile, a detective on Ceres Station tracks a disappearing heiress and unravels a conspiracy that spans the solar system. The two plot lines converge on Eros, where an alien infection kills the entire population and threatens Earth.

One of the interesting subtexts of these books is the arbitrary nature of human prejudice. In the future, people of different skin colors and national origins freely mix and gender roles have largely disappeared, but it’s no utopia. Instead, the racial fault line falls between Belters and “inner planet” types. Belters’ lives in low gravity cause them to grow taller and skinnier than their counterparts from inside the gravity well and make it impossible for most of them to set foot on Earth or Mars. They’ve even developed their own argot, a mash-up of multiple earth languages plus hand gestures developed over generations of communicating inside space suits. As the Belters struggle for self-rule from the inner planets, these racial divides widen.

Cover image for Caliban's War, by James S.A. Corey
Caliban’s War, by James S.A. Corey

Caliban’s War continues in the tradition of Leviathan Wakes, following the adventures of disparate characters whose stories converge over the course of the book. An attack on Ganymede — breadbasket of the Belt — kills an entire platoon of Martian marines, leaving Gunnery Sergeant Roberta “Bobbie” Draper as the sole survivor. In its aftermath, a father searches for his missing daughter as the colony slowly dies around him. James Holden and the crew of the Rocinante soon join in the search.

I’m in love with the crew of the Rocinante, who emerge as an unlikely family after their adventures in Leviathan Wakes: idealist captain James Holden, genius engineer Naomi Nagata, cowboy pilot Alex Kamal, and battle-ready mechanic Amos Burton. Ceres detective Joe Miller lends a touch of noir to the action-oriented story. Chrisjen Avarasala, the potty-mouthed UN power broker in the orange sari, is another favorite. And it’s a joy watching Bobbie Draper, the six-foot double-wide Martian marine in the power armor kick ass up and down the solar system.

This series reminds me of Dune with its grand sweep, but with more hard science and a touch of noir and horror. These stories explore how human curiosity and ingenuity go hand in hand with human fear and aggression. When should you negotiate and when should you fight? Is alien technology inherently evil or do we simply not understand its context? What happens when you try to harness forces you don’t understand? Is it better to release information to everyone or to withhold it until you understand its implications? The book offers no answers but shows the repercussions of different characters’ answers — all while delivering kick-ass action and satisfying character development.

* James S.A. Corey is actually the pen name for writing partners Daniel Abraham and Ty Franck.

Poet to Poet: Doug Holder Interviews Alexis Ivy

Alexis Ivy is a poet I greatly admire. We spent some time together in the same workshop and I’ve really enjoyed her first book Romance with Small-Time Crooks. Doug Holder of Ibbetson Street Press interviews her here on Somerville Community Access Television.

In case the embedded video above fails, here is a direct link to it on YouTube.

Boston Area Poetry Readings for January and February 2016

January always feels like a holiday hangover to me. So far, the temperatures are bracing cold and the skies clear — two good signs after last February’s record snowfalls. Please Skadi, send us enough snow for snowshoeing and not enough for epic shoveling. Daniel Bouchard sets us back on the path of poetry with the listings below. All locations are in Massachusetts (USA) unless otherwise noted.

My poetry workshop in Roslindale, MA also reconvenes in February. Priced for starving poets, focused on generating new work.

Friday, January 8, 7:30 pm
Dan Johnson, Deborah Melone, and Jan Schreiber
Chapter and Verse
Loring-Greenough House
12 South Street
Jamaica Plain Centre

Saturday January 9, 3 pm
Elizabeth J. Coleman and David Berman
Powow River Poets Reading Series
Newburyport Public Library
94 State Street
Newburyport, MA
Free and open to the public

Continue reading “Boston Area Poetry Readings for January and February 2016”

Boston Area Poetry Readings for December 2015

These listings are compiled by Daniel Bouchard. Friday, December 11 is the very last of the BASH Reading Series by Black Ocean Press at Brookline Booksmith. And make sure to check out the Brookline Public Library on Sunday, December 20, where the open mic is as high-quality as the featured reader.

Thursday, December 3, 7 pm
David Miller, Sandra Storey and open mic
Rozzie Reads
Roslindale House
120 Poplar Street
Roslindale, MA Continue reading “Boston Area Poetry Readings for December 2015”

(In)Gratitude on Thanksgiving

All the FeelingsI recently heard a historian giving an interview about the original Thanksgiving. She pointed out that what made the English colonists so thankful was the awful year that had come before. The Pilgrims hadn’t meant to settle on a rocky coastline with poor soil and long, frigid winters. They’d been heading to Virginia but got blown off course and landed on Cape Cod in desperation. That first winter, they lost a huge chunk of their numbers to famine and illness. Native Americans in the area had also been decimated by a smallpox epidemic. If it weren’t for assistance from Squanto and treaties with other members of the Wampanoag, the Pilgrims would have been no more than a footnote in the history books.

Continue reading “(In)Gratitude on Thanksgiving”

Cultural Appropriation and Fair Use

When the 2015 collection of Best American Poetry came out this September, the poetry world erupted into controversy. At the crux of the matter was a poem titled “The Bees, the Flowers, Ancient Tigers, Poseiden, Adam and Eve” by Michael Derrick Hudson. Why all the fuss? Because Hudson, a white man, published his poem under the pen name Yi-Fen Chou. Hudson claimed that he was unable to find a publisher for his poem until he began sending it out under an Asian pen name (1). Asian poets and writers were understandably upset when the anthology came out and it’s sparked a discussion among academics and poets about the nature of cultural appropriation and the myth of reverse racism. Editor Sherman Alexie responded to the controversy in an article posted on the Best American Poetry blog. His thoughtful essay addresses the tension between the literary world’s desire to showcase diverse voices and the necessity of remaining faithful to aesthetic principles:

“If I’d pulled the poem then I would have been denying that I was consciously and deliberately seeking to address past racial, cultural, social, and aesthetic injustices in the poetry world.

And, yes, in keeping the poem, I am quite aware that I am also committing an injustice against poets of color, and against Chinese and Asian poets in particular.

But I believe I would have committed a larger injustice by dumping the poem. I think I would have cast doubt on every poem I have chosen for BAP. It would have implied that I chose poems based only on identity. (2)”

My own experiences as a queer woman and my friendships with people of a variety of races and nationalities have sensitized me to the issue of cultural appropriation. So what is cultural appropriation? It’s overwriting the voices of the voiceless with narrative constructed outside of the lived experience of a person who is a member of an oppressed class. Since there are many kinds of oppressed classes and since one person can belong to more than one of them, the issue can become complicated. The litmus test for me goes back to the question of lived experience. Does the person telling the story have the right to tell it? Is it his story to tell? As with many questions, there is no one right answer, but there are definitely some wrong ones.

Continue reading “Cultural Appropriation and Fair Use”

“The Kitchen Poem” in the Summer 2015 Issue of Dirty Chai

This spring I was delighted to learn that “The Kitchen Poem” had found a home at Dirty Chai Magazine. I missed the issue when it came out, so here it is now. Here’s a PDF download of the Summer 2015 Issue of Dirty Chai.

And since it’s more 90 days since it appeared there, here’s a reprint:

The Kitchen Poem
for Adrienne Rich

A kitchen is where a woman belongs sometimes
not because I should cook for you

but because here when one sits at the table
with a bowl of something one realizes
what it is to slow down

Because here there is always food
and yet I can go hungry

Because there is a smell of things cooking,
and the smell is good.

Because I can spread tablecloths
and be unmolested.

Because God loves a kitchen
and I feel powerful here.

Because a kitchen is where civilization began.

Because some men are shy of the kitchen
and those men I can do without.

Because kitchens come in many shapes and sizes.

Because Allen Ginsberg never wrote a poem about a kitchen.

Because in a kitchen, a woman can take what has been
dismembered,
                        forgotten
                                             and remember it.

Because in a kitchen we put things together
that have been cut apart
and call it food.