Dispatches from an MFA: Nonlinear Time

As so many writers do, I’ve been letting the perfect get in the way of the good when it comes to these dispatches. I thought it would be a simple matter to re-purpose some of the prose that I sent along with my monthly packets, but the work involved in creating the packets (along with all of my less writerly responsibilities) makes even that relatively easy task more difficult than anticipated. I’m sure I’ll share that work at a later point. But for right now, let me discuss a thorny problem I’ve been having when it comes to my own poems — a craft element, as one would call it in the creative-writing MFA world.

The great problem I’m working on this month is the use of nonlinear time in a single poem — how to transition from one scene to another and to another or back to the first while making the poem feel all of a piece. There’s a lot of talk about keeping the reader in the “moment” of the poem, so this feels like an advanced technique to me, and one that I really want to master.

I did a lot of hunting for poems that use this particular technique and finally had to resort to crowdsourcing (thank God/dess for one particular Facebook community of women poets) to find relevant poems. So far, most of my work this packet has been of the thinking, reading, and researching variety, so it’s a relief to have at least half of one craft annotation finished. I’m trying not to think about the relatively short time remaining before the entire thing is due. As Anne Lamott would say, you do it bird by bird.

Here’s a listing of the poems I’ve found so far, with links where appropriate and bibliographical references where not:

So far, the key seems to be anchoring the work in one particular image or phrase, especially by beginning and ending with it. While I’ve been aware of Robert Pinksy’s work since I moved to Boston 16 years ago, it wasn’t until I read “Shirt” that I became aware of the depth of his own craft. This poem in particular swings back and forth from the moment of putting on a shirt to all the implications of the object itself — stitched together most appropriate with the poetic technique of cataloging and the metric iambs he uses in his lists.

Do you know of a particular poem that also deals with nonlinear time?


Two clock faces photo credit Ron Kroetz via Flickr, Creative Commons 2.0

Boston Area Poetry Readings for October and November 2016

Poetry readings in Boston and environs abound well into November this year. Of special note: a celebration of Latin American Poetry at the Center Communities of Brookline on Sunday, October 16; Liz Janick and Grey Held at Newtonville Books on Monday, November 7; and three evenings in a row of readings at the Granoff Center for the Arts in Providence, Rhode Island.

Full listings follow.

Continue reading “Boston Area Poetry Readings for October and November 2016”

Boston Area Poetry Readings for October 2016

Take a break from apple-picking, pumpkin-carving, and costume-making. Join your fellow Yankees in a warm room on a cool night and listen to some poetry. Venues range from Gloucester to Providence, Boston to Northampton. Thanks as always to fellow poet Daniel Bouchard for compiling these listings.

Saturday, October 1, 7:30 pm
Kate Tarlow Morgan
Gloucester Writers Center
126 East Main Street
Gloucester, MA

Continue reading “Boston Area Poetry Readings for October 2016”

At What Price Poetry?

A fellow poet recently had the courage to complain about the expense of our chosen vocation. It’s a sad fact that the net proceeds for poets are usually negative. We often have to pay to develop our craft and get ourselves read. Perhaps it’s not unlike many art forms in this way — especially the “fine” arts like ballet. In the case of poetry, schools, workshops, conferences, book tours, and contest fees all add up. Those of us who publish books may end up making little or nothing on them. Readings at most venues don’t offer remuneration, while the poet usually ends up having to pay for gas and dinner. If you sell a few books, you’re lucky to break even.

Payment — or lack thereof — is difficult subject to speak about in public settings, partly because of the unspoken taboo on discussing money matters at all, and partly because of the notion that artists must do what they love for free, or have to suffer for their art, living in garrets and shivering next to wood stoves. It’s easy to sound bitter, and no one wants to publish — or read — a bitter poet. It is possible to make a living as a writer of prose, but not with poetry. Not in American society, where most mentions of poetry in mainstream society joke about how awful it is to have to listen to it.

This double bind is why I went into web development in the mid 1990s. I didn’t have parents who could support me or supplement my income and I didn’t have the connections that make it so much easier to break into publishing. Zines and websites used to circumvent the snooty literary establishment, but the fact is that my education and inclinations have given me champagne taste when it comes to literature in general and poetry in particular.

After 20 years in an industry that’s taken me further and further away from my literary roots, I’m embarking on a low-residency MFA program that will allow me to keep my job while I focus on honing my craft in my off-hours. An MFA is not cheap. I was fortunate enough to qualify for a merit scholarship, but I’ll be paying for the bulk of tuition with student loans. Once I graduate, my monthly payments will equal about half of mortgage. Worst case scenario is that I end up saddled with so much debt that means I can’t afford to make a career change more in line with my passions.

All of that being said, I do believe there are bright spots in the cloudy future. Grants do exist. Paying gigs (mostly teaching, but also prose writing) do exist. Scholarships do exist. Free artist residencies do exist. Lesley awarded me a scholarship and I’ve won awards in the past so I know it’s a possibility for me. The key is to not get sucked in to the maw of the pay-for-play mentality of some literary circles. And that’s hard because sometimes the people in those circles are the poets I really admire and want to be like.

I’ve spent so much time avoiding dedicating myself to the arts because I’ve been too afraid of failure. I’m taking the leap this time — or, more accurately, I’m taking a measured, clear-eyed walk along a rocky and difficult path that hugs the side of the mountain.

Succeeding in the end might require a revision of my definition of success into outcomes I can directly affect rather than those that depend on the whim and tastes of judges and editors. When I look at it that way, success is inevitable.

Photo credit: slgckgc via Flickr, CC 2.0

The Indian Family in the Hospital Lobby

Rushing between off-site meetings, I carve out some time to sit and eat lunch in the lobby of one of the hospitals in the Longwood Medical Area. There’s a huge family at the table next to mine that has an entire catering setup — I guess to feed everyone who’s come down to support their loved one. They take up four tables and are eating delicious-looking Indian cuisine, speaking in what may be Hindi or one of India’s many other languages.

Seeing them makes me think about frugality, and how it requires you to stop worrying about what other people think of you, and about what it means to live in a multicultural society, and about how diversity is hard because humans are hard-wired to fear the Other, and also about what it means for me to live so far away from the support system of an extended family. I’m lucky to have a huge constellation of family-by-choice, and friends, and kindred spirits — I know more wonderful people than I can possibly have deep friendships with. But the bond of shared DNA runs deep, even with the low-level irritation that can develop among grown-up relatives. When I’m in the hospital, it’s my family that comes to visit me. And if they’re not related to me, I begin to understand who truly is my family of choice.

For better or for worse, that’s my life: to be a stranger in a strange land, even when it’s one I’ve lived in for years. Writers and artists often live at the edge of society. It’s what gives us the perspective and the fearlessness to speak our own truths about what we see. I’m most comfortable on the edges of things, observing the swirl and color of human existence — I see things that I wouldn’t if I were at the center of my own drama.

And perhaps it’s why I need the company of plants and animals to recharge myself. They speak a quieter language free of the body-mind duality that plagues humanity.

Boston Area Poetry Readings for April/May 2016

National Poetry Month culminates this week with the Mass Poetry Festival — an event that fills all of downtown Salem with readings from poetic luminaries, a small press fair, and workshops of all kinds. The poetic fervor continues into May.

Thanks to those of you who came to the workshop I did last weekend at the Rozzie Public Library — if you missed it and want to know about the next one, sign up for my mailing list.

All events below take place in Massachusetts unless otherwise noted.

Thursday, April 28, 6 pm
Matvei Yankelevich
Woodberry Poetry Room, Lamont Library, Room 330
Harvard University
Cambridge

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UPDATED April 2016 Boston Poetry Readings

National Poetry Month offers a dizzying array of events across the nation, but especially in Boston. Updated listings appear below. You can see my teacher Barbara Helfgott Hyett read alongside an old poet-friend Nicole Terez Dutton at the Newton Free Library on Tuesday, April 12 at 7pm. You can meet me in person at the Roslindale Public Library on Saturday, April 23 at noon. And if you have the time, inclination, and stamina, you can attend at least one reading on just about every day this month. All readings are in Mass unless otherwise noted.

Thursday, April 7, 6 pm
Martin Corless-Smith
introduced by Boyd Nielson
Woodberry Poetry Room, Lamont Library, Room 330
Harvard University
Cambridge

Thursday, April 7, 7 pm
Cammy Thomas, Sophia Yee, Ros Zimmermann
National Poetry Month Celebration
Cary Memorial Library
1874 Mass. Ave.
Lexington

Continue reading “UPDATED April 2016 Boston Poetry Readings”

April 2016 Poetry Readings in Boston MA and Environs

NOTE: You can find an updated version of these listings here.

April is National Poetry Month, which means that readings and classes abound. Here are my top picks:

Listings follow. All venues are in Massachusetts (USA) unless otherwise noted: Continue reading “April 2016 Poetry Readings in Boston MA and Environs”

Poet to Poet: Doug Holder Interviews Alexis Ivy

Alexis Ivy is a poet I greatly admire. We spent some time together in the same workshop and I’ve really enjoyed her first book Romance with Small-Time Crooks. Doug Holder of Ibbetson Street Press interviews her here on Somerville Community Access Television.

In case the embedded video above fails, here is a direct link to it on YouTube.