the cats don’t care
if the rent goes up next year
the back door’s open today
the blue jay, the cardinal
the pale April sunlight
cushions on the pale grass
succulents peep green
from puddingstone
I am awake, outside
the cats don’t care
if the rent goes up next year
the back door’s open today
the blue jay, the cardinal
the pale April sunlight
cushions on the pale grass
succulents peep green
from puddingstone
I am awake, outside

Ever since moving to Boston in 1999, I’ve been keenly aware of the ways in which I am separate from the city’s mainstream culture. As a queer woman, as a poet, as a [insert any one of a variety of labels that apply to me], I’m used to feeling different, apart, separate. About this time last year though, an odd thing happened.
In the hours and the days following the Boston Marathon bombing, I began to feel like I was part of a unified whole. That the Boston portrayed in the national press, the Boston of skinny white women sporting Tiffany bracelets in the Back Bay, the Boston of drunken Red Sox fans on the Green Line, the Boston of disaffected immigrants in search of a reason for living — that all of these Bostons — was also the Boston that I know: the Boston of slam poets congregating at the Cantab in Cambridge, the Boston of nerds in black turtlenecks eating sushi and joking about obscure internet memes, the Boston of queers congregating in living rooms and church basements, the Boston of police brutality and entrenched segregation.
Continue reading “One Year After the Boston Marathon Bombing”
It’s national poetry month again. My website was briefly down because Gmail did such an amazing job of sorting my email for me, I never got the notices reminding me to renew the domain registration for Gardenofwords.com. That was a killer way to start off national poetry month.
I noticed the outage when I was pitching a website redesign to a poet whom I greatly admire. I’m fortunate to be able to pick and choose my clients in a way I wasn’t always able to in the past. As a result, my very short client roster is full of interesting, creative women. This latest client would probably point out that I am an interesting, creative woman myself, to which I respond “pshaw.” It’s nice to have friends who say complimentary things about you. In the Po-Biz, that’s how you get blurbs for the back of your book.
April has been surprisingly un-cruel in the past couple of days, especially given March, February, January, and December, all of whom I want to roll up into a big ball, flatten with a giant rolling pin, dry in the sun, and then fold into lots of sharp corners and stick up the posterior of  this past winter. It’s very easy to forget that things are exponentially better for me today than they were this time last month, and the month before. Just the other morning I forgot about it while packing my lunch. M. and I got into a lively discussion* about his tactical decision to forgo buying lettuce on Monday night rather than buying me non-organic lettuce which I might not eat. It wasn’t about lettuce, of course. It was about my own severe anxiety at having less than $10 in my checking account the day before I got paid. And the very uncomfortable dynamic that develops when two people fall in love and move in together, and then one of them takes a hefty pay cut.
On the plus side, we worked it out, as we always do. I’m continually amazed at M’s ability to handle situations that have baffled me for most of my life. Emotional intelligence comes in all kinds of packages — some of them former infantrymen. Also on the plus side, I’m steadily plugging back up the hill toward a full-time work schedule. Also also on the plus side, I took a walk yesterday afternoon and TOOK OFF MY COAT. And didn’t put it back on once. Which just goes to show you anything is possible.
Spring is late this year, but it’s here. The hills are still grey and brown with bare trees, but the moss has turned bright green and the grass won’t be far behind. Snowdrops have been out for weeks now, lingering in the cool spring air. Crocuses are here, and may even be gone in another week. The daffodils in my back garden have been poking their little green heads up. Ralph chases the squirrels until well past 6:00 pm.
Poetry-wise, I’m doing less and more than I’ve done in years past. Whereas in past years I’ve adhered to a strict regimen of a poem-a-day, I find myself moving more fluidly now. I’m making inroads into new techniques for revision, attempts to cut away the dross and find surprising turns of phrase. A sort of Orb-style remix, but with random poems instead of sound clips.
The bout of illness and the 40th anniversary of my birth made me stop and think about what I’m doing with my life, and if it’s what I want to be doing, and what I can do about all that. When I’m very ill, I will often decide that This One Big Change is what will fix all of my problems. Past experience has taught me that it usually just creates more instability and makes it harder to get back to a baseline. A cursory search of the Intartubes (“year of the horse” plus “horoscope” plus “2014” plus “water ox”) gives me highly scientific** evidence that this is not the year for me to make any sudden changes. In the Year of the Horse, things gallop along. You might find yourself miles from where you started, only to discover you’ve gotten on the wrong horse. For a person born in the year of the water ox (1973), it’s not a good year to be moving and changing. But it is a good year to send out hidden feelers under the earth, gathering information through the mycelium that binds us all together.
The seed inside unfurls with the longer days, reaching toward the light. I watch it, worry, pray it won’t be killed in an early frost. April is cruel in a different way every year. I am curious to know its cruelty this year, in the year of the horse. Maybe there will be a kindness to its cruelty, as I slog and toil and trudge into something warmer, something sunny, something else.
*which our neighbor could hear through the walls, no doubt
** and by “scientific,” I mean the opposite, of course
Things that make me cranky:
Things that make me happy:
Harlem
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore–
And then run?
Does it stink like rotten meat?
Or crust and sugar over–
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
Langston Hughes
From Collected Poems
There are many kinds of cages. Some of them are more comfortable than others. But they are all cages.
Through the rain
And the lights
I met myself
I met berserk
On the traffic island between fifth and main
“you have so much left to learn” he told me,
Taking hold of the scruff of my neck
And shaking
And shaking
[This is a stub. It echoes three poems: one that I wrote in high school, which was inspired  “Anecdote of the Prince of Peacocks,” by Wallace Stevens; and also The Great Figure, by William Carlos Williams]
winter sun blinds me
and winter sun nurtures me
here, atop this hill